My internet-radio show, Kill the Head, “airs” every Friday, 5 to 7 p.m. (eastern), on Asheville Free Media.
| ARTIST |
SONG |
ALBUM |
LABEL |
| Federal Roosters (a.k.a. Lance Romance) |
“Bee Careful of Da Beez” |
Session on Devils Day (cassette) |
MassDist |
| The Wooden Cupboard |
“Spirits and Retribution” |
Animals Speak the Spirit Tongue |
Lattajjaa |
| Jeff Mills |
“To Protect And Obey” |
The Defender |
Axis |
| Viki |
untitled (track one) |
Triple X (cassette) |
Animal Disguise Recordings |
| Woozlebug |
“Swamp Gas Air Force” |
Mullicana |
Morning Frost Recordings |
| Men/Eject |
“Draw” |
I Hate the Pop Group |
Vertical Slum Records |
| The Goslings |
“Croatan” |
Grandeur of Hair |
Archive |
| Pontiak |
“Headless Conference” |
Maker |
Thrill Jockey |
| Ben Klock |
“Red Alert” |
Tracks From 07 |
Deeply Rooted House |
| Milton Bradley |
“Don’t Phonk” |
Dystopian Vision |
Do Not Resist The Beat! |
| Bass Patrol |
“Your Daddy Baby Got Beef” |
Your Daddy Baby Got Beef |
Joey Boy |
| n/a |
“Cpak Sa” |
Bass Etc. |
n/a |
| All Leather |
“Audios Mi Amoebas” |
Hung Like A Horse |
Dim Mak Records / Downtown Music |
| Enema Syringe |
“Jag Vill Bara Sla Dig” |
Visa Mig Vagen Till Mellringe 1986-1988 |
UFO Mongo |
| Meat Slicer |
“Boiled Alive” |
self-titled |
SNSE |
| Wrnlrd |
“Haxanic Stairway” |
Oneiromantical War |
Flingco Sound System |
| Razor |
“Violence Condoned” |
Shotgun Justice |
War On Music |
| Burnt By Sun |
“Beacon” |
Heart of Darkness |
Relapse |
| Septic Death |
“Negative Threat” |
A Time We’ll Remember Vol. 7 |
Lost And Found Records |
| Eloe Omoe |
“Shagreen” |
Marauders |
Animal Disguise Recordings |
| Slapp Happy |
“Me & Paravati” |
Acnalbasac Noom |
Recommended Records |
| Mood music during talking breaks: Thuja’s Pine Cone Temples (Strange Attractors Audio House) |


Today I was a guest on “The Good, the Bad, and the Ugly,” DJ Greg Lyon’s radio program on Asheville’s 103.5 FM WPVM. Fred Wesley’s Damn Right I Am Somebody album is a total mindfuck. Thanks, Andy Brown!
Here’s our playlist:
| Artist |
Song |
Album |
Label |
Comments |
New |
| Boscoe |
He Keeps You |
Boscoe |
Asterisk |
|
|
| Fred Wesley and the J.B.’s |
Blow Your Head |
Damn Right I Am Somebody |
People |
|
|
| Andy Votel (Tinido Trincando) |
Novos Baianos |
Brazilika: Nonstop Subtropical Psychedelia |
|
|
|
| Rags and Riches |
It’s Not Right |
12 |
Kingley Sounds |
Jamaican |
|
|
| U-J3RK5 |
Naum Gabo |
VA – Vancouver Complication |
Sudden Death |
1979 Vancouver |
|
| Animals and Men |
Don’t Misbehave in the New Age |
Singles & Demos 1979-83 |
Mississippi |
1980 UK |
|
| Quintron |
Dirt Bag Fever |
Too Thirsty 4 Love |
Goner |
|
* |
| Two Prong |
Who Is Hockamoo? |
James Taylor B |
|
|
|
| Mark Tucker |
Down the Pipeline |
In The Sack |
De Stijl |
|
* |
| Rahsaan Roland Kirk |
Breath-A-Thon |
Natural Black Inventions: Root Strata |
Atlantic |
1971 |
|
| The Cosmic Jokers |
Kinder des Alls 3 |
Galactic Supermarket |
|
1974 Germany |
|
|
| Galloping Coroners |
Get It Out for God’s Sake |
A Halal moresre tanitasa |
Von Unten |
Hungarian |
|
| Gunslingers |
Into the Garage |
No More Invention |
World in Sound |
French |
|
| Eloe Omoe |
Illidrium |
Marauders |
Animal Disguise |
|
|
| Albert Ayler |
Untitled Duet |
The Last Album |
Impulse! |
1969 with Ayler on bagpipes and Canned Heat’s Henry Vestine on guitar |
|
| Andrew McGraw |
Pemungkah |
Kolaborasi |
|
|
* |
|
| Hitmen |
Death Grip |
Hitmen |
|
Australian |
|
| Total Control |
Stare Way |
7″ |
Aarght! |
|
|
| Milk ‘n’ Cookies |
Not Enough Girls in the World |
Milk ‘n’ Cookies |
|
1975 |
|
| The Move |
Brontosaurus |
Looking On |
Capitol |
|
|
| Ty Segall |
The Drag |
Ty Segall |
Castle Face |
|
* |
| Alfred G. Karnes |
Bound for the Promised Land |
VA – Fight On, Your Time Ain’t Long |
Mississippi |
1927 Bristol recoding |
* |
| Jack Rose and the Black Twig Pickers |
Little Sadie |
Black/Jack EP |
|
|
|
| Fisk University Jubilee Quartet |
Little David, Play on Yo’ Harp/Shout All Over God’s Heaven |
VA – Lost Sounds: Blacks and the Birth of the Recording Industry 1891-1922 |
Archeophone |
1909 |
|
|
| Souled American |
Soldier’s Joy |
Fe |
Rough Trade |
1988 |
|
| The Howling Hex |
O Why, Sports Coat? |
Earth Junk |
Drag City |
|
* |


(This show preview originally appeared in the SF Weekly.)
The New England-based collective Sunburned Hand of the Man is composed of psychedelic masters of the 20-minute hippie-fried communal jam. Their success is based on the fact that this large, often nebulous ensemble always retains the necessary mixture of the three types of musicians required to create incessantly mutating psych-grooves that are both open-ended like free jazz and tightly wound like hard-hitting rock ‘n’ roll. Type One: learned musicians who know their chops and prevent the collective jam from devolving into an amateurish “Hippie Hill” drum circle fiasco. Type Two: freaky, artistic nonmusicians that prevent the learned musicians from hijacking the collective jam and turning it into a Cream-inspired snooze-a-thon. Type Three: record nerds that inject the collective jam with riffs, rhythms, and sounds nicked from ultra-obscure platters that nobody in the group would have ever been able to create from scratch. When these three types are combined in the right way (which SHOTM have spent years learning how to do), powerful, stinky free-funk vibrations are generated. But don’t believe me, go attain direct knowledge when Sunburned Hand of the Man, along with Magik Markers, perform on Sunday, Aug. 28, at the Bottom of the Hill.

