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	<title>Justin F. Farrar</title>
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		<title>QuantumVisions: Form A Log</title>
		<link>http://www.justinfarrar.com/2013/05/quantumvisions-form-a-log/</link>
		<comments>http://www.justinfarrar.com/2013/05/quantumvisions-form-a-log/#comments</comments>
		<pubDate>Wed, 22 May 2013 12:18:15 +0000</pubDate>
		<dc:creator>Justin F. Farrar</dc:creator>
				<category><![CDATA[QuantumNoise]]></category>
		<category><![CDATA[QuantumVisions]]></category>
		<category><![CDATA[Chrissy Jones]]></category>
		<category><![CDATA[Container]]></category>
		<category><![CDATA[Night Burger]]></category>
		<category><![CDATA[Noah Anthony]]></category>
		<category><![CDATA[Profligate]]></category>
		<category><![CDATA[Ren Schofield]]></category>
		<category><![CDATA[Rick Weaver]]></category>

		<guid isPermaLink="false">http://www.justinfarrar.com/?p=8252</guid>
		<description><![CDATA[Here&#8217;s a killer video from Form A Log, the trio of Noah Anthony (a.k.a. Profligate, Night Burger), Ren Schofield (a.k.a. Container, God Willing) and Rick Weaver (of Human Host). It was directed/produced by the talented Chrissy Jones, and it is cracked. The video appears to play out the vegetarian&#8217;s ultimate nightmare: what if all the vegetables ]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>QuantumNoise&#8217;s Top Albums And 12-Inches of 2012</title>
		<link>http://www.justinfarrar.com/2012/12/qns-top-albums-and-12-inches-of-2012/</link>
		<comments>http://www.justinfarrar.com/2012/12/qns-top-albums-and-12-inches-of-2012/#comments</comments>
		<pubDate>Wed, 26 Dec 2012 13:43:29 +0000</pubDate>
		<dc:creator>Justin F. Farrar</dc:creator>
				<category><![CDATA[QuantumNoise]]></category>

		<guid isPermaLink="false">http://www.justinfarrar.com/?p=7973</guid>
		<description><![CDATA[No wordy introduction required. Though I must explain: 2012 was such an exceptional year that it made the compiling of this list rather difficult. Any one of the titles comprising my top 10 (or so) albums could have easily snagged the no. 1 slot. This is particularly true of the Spectrum Spools-released epic Motion Sickness Of ]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>QuantumVisions: Soft Circle&#8217;s Awesome &#8220;Reaper&#8221; Video</title>
		<link>http://www.justinfarrar.com/2012/10/quantumvisions-soft-circles-awesome-reaper-video/</link>
		<comments>http://www.justinfarrar.com/2012/10/quantumvisions-soft-circles-awesome-reaper-video/#comments</comments>
		<pubDate>Sat, 06 Oct 2012 20:34:31 +0000</pubDate>
		<dc:creator>Justin F. Farrar</dc:creator>
				<category><![CDATA[QuantumNoise]]></category>
		<category><![CDATA[QuantumVisions]]></category>
		<category><![CDATA[Andrew Jeffrey Wright]]></category>
		<category><![CDATA[Bulb Records]]></category>
		<category><![CDATA[coldwave]]></category>
		<category><![CDATA[Danse Asshole]]></category>
		<category><![CDATA[Fort Thunder]]></category>
		<category><![CDATA[Hisham Bharoocha]]></category>
		<category><![CDATA[minimal wave]]></category>
		<category><![CDATA[Soft Circle]]></category>
		<category><![CDATA[Space1026]]></category>
		<category><![CDATA[Ton B]]></category>

		<guid isPermaLink="false">http://www.justinfarrar.com/?p=7939</guid>
		<description><![CDATA[Soft Circle and performance-production duo The New Dreamz have teamed up for a hilarious video that (in my estimation, at least) pokes a stick at the dystopian gloom of the minimal wave and coldwave trends &#8212; both of which I dig, mind you. &#8220;Reaper&#8221; is a track that first appeared on the group&#8217;s 2010 album Shore Obsessed. But if ]]></description>
		<wfw:commentRss>http://www.justinfarrar.com/2012/10/quantumvisions-soft-circles-awesome-reaper-video/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<item>
		<title>Motion Sickness Of Time Travel &#8212; Motion Sickness Of Time Travel</title>
		<link>http://www.justinfarrar.com/2012/05/motion-sickness-of-time-travel-motion-sickness-of-time-travel/</link>
		<comments>http://www.justinfarrar.com/2012/05/motion-sickness-of-time-travel-motion-sickness-of-time-travel/#comments</comments>
		<pubDate>Tue, 15 May 2012 20:04:21 +0000</pubDate>
		<dc:creator>Justin F. Farrar</dc:creator>
				<category><![CDATA[Boston Phoenix]]></category>
		<category><![CDATA[Portland Phoenix]]></category>
		<category><![CDATA[Providence Phoenix]]></category>
		<category><![CDATA[Published Work]]></category>
		<category><![CDATA[Digitalis Recordings]]></category>
		<category><![CDATA[drone]]></category>
		<category><![CDATA[Editions Mego]]></category>
		<category><![CDATA[Grouper]]></category>
		<category><![CDATA[Hooker Vision]]></category>
		<category><![CDATA[Julia Holter]]></category>
		<category><![CDATA[Lagrange]]></category>
		<category><![CDATA[Motion Sickness Of Time Travel]]></category>
		<category><![CDATA[Rachel Evans]]></category>
		<category><![CDATA[Spectrum Spools]]></category>

		<guid isPermaLink="false">http://www.justinfarrar.com/?p=7569</guid>
		<description><![CDATA[(This album review originally appeared in The Boston Phoenix. It was also reprinted in both The Providence Phoenix and The Portland Phoenix.) It&#8217;s long been said that Southerners perceive time differently, that because the industrial clock never crept below the Mason-Dixon Line, time down there is less regimented, more relaxed. This could explain the delicious blend ]]></description>
		<wfw:commentRss>http://www.justinfarrar.com/2012/05/motion-sickness-of-time-travel-motion-sickness-of-time-travel/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Chris Corsano</title>
		<link>http://www.justinfarrar.com/2012/04/chris-corsano/</link>
		<comments>http://www.justinfarrar.com/2012/04/chris-corsano/#comments</comments>
		<pubDate>Sat, 14 Apr 2012 20:36:43 +0000</pubDate>
		<dc:creator>Justin F. Farrar</dc:creator>
				<category><![CDATA[Cleveland Scene]]></category>
		<category><![CDATA[Published Work]]></category>
		<category><![CDATA[Bjork]]></category>
		<category><![CDATA[Dr. Quinn Medicine Woman]]></category>
		<category><![CDATA[Heather Leigh Murray]]></category>
		<category><![CDATA[Jailbreak]]></category>
		<category><![CDATA[Jandek]]></category>
		<category><![CDATA[Jim O'Rourke]]></category>
		<category><![CDATA[Paul Flaherty]]></category>
		<category><![CDATA[Thurston Moore]]></category>

		<guid isPermaLink="false">http://www.justinfarrar.com/?p=7597</guid>
		<description><![CDATA[(This show preview originally appeared in Cleveland&#8217;s Scene magazine.) Chris Corsano has established himself as one of the avant-garde’s most prolific artists over the past decade. His list of achievements reads like a who’s-who of underground cool. There’s Björk and Thurston Moore, but also Jim O&#8217;Rourke and Jandek. The percussionist is all over the map, ]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Further Downstream: A Local Label Is Quietly Making Waves In The Underground Electronic Scene</title>
		<link>http://www.justinfarrar.com/2012/04/further-downstream-a-local-label-is-quietly-making-waves-in-the-underground-electronic-scene/</link>
		<comments>http://www.justinfarrar.com/2012/04/further-downstream-a-local-label-is-quietly-making-waves-in-the-underground-electronic-scene/#comments</comments>
		<pubDate>Thu, 12 Apr 2012 20:22:34 +0000</pubDate>
		<dc:creator>Justin F. Farrar</dc:creator>
				<category><![CDATA[Published Work]]></category>
		<category><![CDATA[Seattle Weekly]]></category>
		<category><![CDATA[Basic Channel]]></category>
		<category><![CDATA[Brad Rose]]></category>
		<category><![CDATA[Chloe Harris]]></category>
		<category><![CDATA[Conrad Schnitzler]]></category>
		<category><![CDATA[Container]]></category>
		<category><![CDATA[Digitalis Recordings]]></category>
		<category><![CDATA[Donato Dozzy]]></category>
		<category><![CDATA[Ekoplekz]]></category>
		<category><![CDATA[Hieroglyphic Being]]></category>
		<category><![CDATA[John Daly]]></category>
		<category><![CDATA[Kosmische Musik]]></category>
		<category><![CDATA[Mark Cul]]></category>
		<category><![CDATA[Omar-S]]></category>
		<category><![CDATA[Rhythm & Sound]]></category>
		<category><![CDATA[Sunn O)))]]></category>

		<guid isPermaLink="false">http://www.justinfarrar.com/?p=7585</guid>
		<description><![CDATA[(This feature / profile originally appeared in the Seattle Weekly.) The mediasphere is abuzz over America&#8217;s embrace of electronic dance music. The signs are all around us. Nü-metal lunkheads rage to brostep. Billboard dance pop sounds like Euro-trance. Snoop&#8217;s SoundCloud page even boasts a track titled &#8220;Tekno Euro Mixx.&#8221; If you&#8217;re a trend gawker, these ]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Black Dice &#8212; Mr. Impossible</title>
		<link>http://www.justinfarrar.com/2012/04/black-dice-mr-impossible/</link>
		<comments>http://www.justinfarrar.com/2012/04/black-dice-mr-impossible/#comments</comments>
		<pubDate>Wed, 11 Apr 2012 20:15:52 +0000</pubDate>
		<dc:creator>Justin F. Farrar</dc:creator>
				<category><![CDATA[Cleveland Scene]]></category>
		<category><![CDATA[Published Work]]></category>
		<category><![CDATA[Bjorn Copeland]]></category>
		<category><![CDATA[Boredoms]]></category>
		<category><![CDATA[DFA Records]]></category>
		<category><![CDATA[Eric Copeland]]></category>
		<category><![CDATA[Fort Thunder]]></category>
		<category><![CDATA[Frogger]]></category>
		<category><![CDATA[hypnagogic pop]]></category>
		<category><![CDATA[noise-rock]]></category>
		<category><![CDATA[Ribbon Music]]></category>
		<category><![CDATA[spazzcore]]></category>
		<category><![CDATA[Terrestrial Tones]]></category>

		<guid isPermaLink="false">http://www.justinfarrar.com/?p=7579</guid>
		<description><![CDATA[(This album review originally appeared in Cleveland&#8217;s Scene magazine.) Since coming together in 1997, Black Dice have passed through three phases: hardcore noise mongers, cosmic tribalists, and, most recently, underground vets unleashing damaged electronic music. The garish and screechy Mr. Impossible serves as a violent rebuke of the hypnotic sounds that characterize their most beloved ]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Pazz &amp; Jop 2011</title>
		<link>http://www.justinfarrar.com/2012/01/pazz-jop-2011/</link>
		<comments>http://www.justinfarrar.com/2012/01/pazz-jop-2011/#comments</comments>
		<pubDate>Thu, 19 Jan 2012 22:43:35 +0000</pubDate>
		<dc:creator>Justin F. Farrar</dc:creator>
				<category><![CDATA[Pazz & Jop]]></category>
		<category><![CDATA[Published Work]]></category>
		<category><![CDATA[Village Voice]]></category>
		<category><![CDATA[Andy Stott]]></category>
		<category><![CDATA[BNJMN]]></category>
		<category><![CDATA[Cassegrain]]></category>
		<category><![CDATA[Container]]></category>
		<category><![CDATA[Delta Funktionen]]></category>
		<category><![CDATA[Farben]]></category>
		<category><![CDATA[Key Of Shame]]></category>
		<category><![CDATA[Mark E]]></category>
		<category><![CDATA[Mark Ernestus]]></category>
		<category><![CDATA[Mike Dehnert]]></category>
		<category><![CDATA[Milton Bradley]]></category>
		<category><![CDATA[Moritz von Oswald Trio]]></category>
		<category><![CDATA[Panabrite]]></category>
		<category><![CDATA[Perc]]></category>
		<category><![CDATA[Recloose]]></category>
		<category><![CDATA[Shackleton]]></category>
		<category><![CDATA[Skudge]]></category>
		<category><![CDATA[Spectrum Spools]]></category>
		<category><![CDATA[Tommy Four Seven]]></category>

		<guid isPermaLink="false">http://www.justinfarrar.com/?p=7507</guid>
		<description><![CDATA[The Village Voice just published its Pazz &#38; Jop critics’ poll for 2011. My ballot can be found HERE. I’m also posting it below. Albums 1. BNJMN, Plastic World (Rush Hour) 2. Morphosis, What Have We Learned (Delsin) 3. Container, LP (Spectrum Spools) 4. Key of Shame, Key of Shame (Planam) 5 Moritz Von Oswald ]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Cheat Sheet: No Wave&#8230; And Beyond</title>
		<link>http://www.justinfarrar.com/2012/01/cheat-sheet-no-wave-and-beyond/</link>
		<comments>http://www.justinfarrar.com/2012/01/cheat-sheet-no-wave-and-beyond/#comments</comments>
		<pubDate>Wed, 18 Jan 2012 21:11:27 +0000</pubDate>
		<dc:creator>Justin F. Farrar</dc:creator>
				<category><![CDATA[Published Work]]></category>
		<category><![CDATA[Rhapsody]]></category>
		<category><![CDATA[8 Eyed Spy]]></category>
		<category><![CDATA[Arto Lindsay]]></category>
		<category><![CDATA[Beirut Slump]]></category>
		<category><![CDATA[Bush Tetras]]></category>
		<category><![CDATA[Captain Beefheart]]></category>
		<category><![CDATA[ESG]]></category>
		<category><![CDATA[Glenn Branca]]></category>
		<category><![CDATA[James Chance & The Contortions]]></category>
		<category><![CDATA[Lizzy Mercier Descloux]]></category>
		<category><![CDATA[Lydia Lunch]]></category>
		<category><![CDATA[no wave]]></category>
		<category><![CDATA[Rhys Chatham]]></category>
		<category><![CDATA[Rosa Yemen]]></category>
		<category><![CDATA[Sonic Youth]]></category>
		<category><![CDATA[Teenage Jesus And The Jerks]]></category>
		<category><![CDATA[Theoretical Girls]]></category>

		<guid isPermaLink="false">http://www.justinfarrar.com/?p=7458</guid>
		<description><![CDATA[This piece originally appeared on Rhapsody&#8217;s The Mix. For this Cheat Sheet, I adopted a non-canonical view of No Wave, that wonderfully short-lived music and art movement that coughed up some of the most daring and extreme groups of the post-punk era. To being with, the majority of the movement&#8217;s progenitors are featured. These include ]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Classic Rock Crate Digger: Why The Beach Boys&#8217; Smile Sessions Is The Real Masterpiece</title>
		<link>http://www.justinfarrar.com/2011/11/classic-rock-crate-digger-why-the-beach-boys-smile-sessions-is-the-real-masterpiece/</link>
		<comments>http://www.justinfarrar.com/2011/11/classic-rock-crate-digger-why-the-beach-boys-smile-sessions-is-the-real-masterpiece/#comments</comments>
		<pubDate>Wed, 09 Nov 2011 20:55:24 +0000</pubDate>
		<dc:creator>Justin F. Farrar</dc:creator>
				<category><![CDATA[Published Work]]></category>
		<category><![CDATA[Rhapsody]]></category>
		<category><![CDATA[Brian Wilson]]></category>
		<category><![CDATA[Dennis Wilson]]></category>
		<category><![CDATA[Do You Like Worms]]></category>
		<category><![CDATA[James Fadiman]]></category>
		<category><![CDATA[Karlheinz Stockhausen]]></category>
		<category><![CDATA[Miles Davis]]></category>
		<category><![CDATA[Teo Macero]]></category>
		<category><![CDATA[The Beach Boys]]></category>
		<category><![CDATA[The Beatles]]></category>
		<category><![CDATA[The Smile Sessions]]></category>
		<category><![CDATA[The Wrecking Crew]]></category>
		<category><![CDATA[Van Dyke Parks]]></category>

		<guid isPermaLink="false">http://www.justinfarrar.com/?p=7452</guid>
		<description><![CDATA[This piece originally appeared on Rhapsody&#8217;s The Mix. Hopefully, the release of the five-disc Smile Sessions box set lays to rest the &#8220;pop masterpiece that never was&#8221; mythology that has sprouted up over the last five decades, gradually wrapping itself around these profoundly misunderstood recordings like impenetrable kudzu. I say &#8220;misunderstood&#8221; because I&#8217;ve long held ]]></description>
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